![]() With an unapologetic spirit and a welcome cheekiness found in its archival footage, the documentary gives us a glimpse into the warmth of the teenagers’ discovery of independence, romance, and themselves, while also offering an inspiring history of a space where people found the strength and the sense of community to take on a fight to change the very world around us.” “Crip Camp” (A Higher Ground and Rusted Spoke Production in association with Little Punk / JustFilms / Ford Foundation for Netflix): “Nicole Newnham and James LeBrecht’s film features a group of summer campers who first met at Camp Jened in upstate New York in the early 1970s and went on to become key players and activists in the Disability Rights Movement in the U.S. With rare access to detention facilities, ICE agents on duty, immigrant families, and lawyers and activists, the filmmakers reveal how individual and collective justifications of “we are just doing our job” rationalize a punishing system.” “Immigration Nation” (produced by A Reel Peak Films Production for Netflix): “Christina Clusiau and Shaul Schwarz’s six-part documentary on the Immigration and Customs Enforcement agency shows how bureaucrats and officers working across different, seemingly unconnected domains make up a complex and terrorizing system. What unfolds is a staggering exposure of official corruption that reaches from the highest levels of government and infects the entire health care system.” Journalists from the Gazeta Sporturilor newspaper probe into why, and their enterprising investigation, supported by key whistleblowers, is captured by director Alexander Nanau’s intimate and breathtaking cinema vérité film. “Collective” (produced by Alexander Nanau Production, Samsa Film HBO Europe): “In the aftermath of a nightclub fire in Bucharest, the survivors suffering from non-life threatening burn injuries mysteriously begin dying. It is a quietly powerful indictment of justice delayed and a visceral embodiment of accountability politics that rightly centers Guatemala’s indigenous population.” The power of this gripping film is its inventive approach to visualizing the pains of a nation’s collective memory. “La Llorona” (produced by La Casa de Producción): “Jayme Bustamante’s reworking of that well-known Latin American folk tale about a weeping woman relies on the lyrical potential of the ghost story genre. With a compelling narrative that mirrors the structural rhythms of psychological trauma, the show defines the emergent subgenre of consent drama and takes center stage in a developing cultural conversation around complex issues of sexuality and consent, freedom and abuse, friendship and trust.” The story centers on her character Arabella, who awakens from a night on the town with fragmented memories of having been sexually assaulted. “I May Destroy You” (produced by HBO in association with BBC, Various Artists Limited, and FALKNA): “One of the year’s most critically-acclaimed series is the provocative brainchild of British screenwriter, director, producer, and actor, Michaela Coel. Here is how Peabody described Wednesday’s winning entrants: Presenter and acceptance speeches can also be found at. This year’s remaining awards will be presented virtually on Thursday, at. “PBS NewsHour: Coverage of the COVID-19 Pandemic” (PBS) Public ServiceĪ total of 60 nominees were announced as nominees in May, representing “the most compelling and empowering stories released in broadcasting and streaming media during 2020.” The Peabody Awards Board of Jurors selected this year’s nominees for entertainment, documentaries, news, podcast/radio, children’s & youth, public service and arts. Here are the Peabody honorees announced on Wednesday: Entertainment I encourage everyone to apply the efforts to the deaf and disabled film people and artists and are ready to work and create magic.” Diversity and inclusion initiatives have brought us unique and compelling artists and their films into the world. We’ve been underrepresented and misrepresented, which perpetuates the stigma and prejudice that we have to fight against every day. In accepting the award, Newnham said, “‘Crip Camp’ honors all the disabled ancestors who have fought for justice.” LeBrecht, who called making the film “the adventure of a lifetime,” added that “‘Crip Camp’ told one story of thousands in my community. And for the revolutionary anger and joy it covers.” ![]() It’s a reminder that activism begins with the personal. “They came together through the freedom these ‘Crip Camp’ summers afforded them. “I first watched this film when I was in the beginning of adapting to my own disabilities, and was, and am, completely blown away,” she said. Blair first revealed her multiple sclerosis diagnosis in October 2018.
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